“Ruin” by Liz Wood

Connecticut born singer-songwriter, Liz Wood, showcases honest and fresh songwriting on her newest EP Into My Own. The album is due out October 16, 2012. With influences that span genres and decades, she finds familiarity in the songwriting styles of Bob Dylan, Jacob Dylan and the performance styles of greats such as Janis Joplin and Jim Morrison. Have a listen to the new single “Ruin.”

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“Ruin” by Liz Wood

mp3 courtesy of soundcloud

Image courtesy of Wood’s Facebook photo stream.
Shared by Sera Roadnight of MT Press.

“Do I Make It Look Easy” by Sara Jackson-Holman

Portland, Oregon-based pianist/singer-songwriter, Sara Jackson-Holman, has released her sophomore full-length album, Cardiology, on Expunged Records.

Cardiology expresses a very personal journey – centered around themes of love and loss and Jackson-Holman’s experiences with each. Some songs, like “Do I Make It Look Easy” and “For Albert” are about realizing and accepting that you can’t change people. She also wrote songs to sort through what it means to lose someone you love.

Featuring contributions by Skyler Norwood (Point Juncture, WA) on drums and bass, Jack Norwood on bass, Jessie Dettwiler (Alameda) on cello, and Basho Parks (Jenn Rawling & Basho Parks) on violin, Jackson-Holman’s songs are fleshed out by a cast of strong supporters.

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“Do I Make It Look Easy” by Sara Jackson-Holman

Image and mp3 courtesy of Alex Steininger at In Music We Trust PR

“Desert Run” by Willie Ames

From sunny San Diego, Willie Ames is a guitarist/banjoist/singer/songwriter performing acoustic folk/rock music. At the age of 18, Willie became deeply inspired by the music of Mark Knopfler of Dire Straits and Lindsey Buckingham of Fleetwood Mac. Willie has written, and continues to write, his own original material that has listeners comparing his sound to his influences and other well known musicians.

Willie’s track titled “Desert Run” is a good example that proves his ability to finger pick his instrument while singing. As many other banjo players play bluegrass style of banjo, Willie digs deep to find a harder/darker rock type of sound. For years now, Willie has been performing showcases at music venues, festivals, party functions, corporate gigs, and weddings with his original music all across the United States (all 50 States covered to date).

His current album Night Owl features 10 original tracks (with both his solo work and collaborations with other musicians) and a cover of Lindsey Buckingham’s “Never Going Back Again”.

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“Desert Run” by Willie Ames

Image and mp3 courtesy of James Moore, Independent Music Promotions – Music Marketing For Serious Independent Musicians

“Spin Me Ever After” by Side FX

Indie dance/pop band Side FX is picking up momentum and cranking out hit after hit. The boundary-defying group is back for the fourth time to give fans a new album. Released on September first, Spin Me Ever After is available for purchase on the band’s website and iTunes.

Side FX with lead singer, Kim Cameron (the ‘FX’ factor), is well known for exploring new sounds and combining rhythms and beats that, together, offer the unexpected. National TV and films have licensed their songs and radio stations across the US, UK, Canada and Australia have added them to their playlists. Have a listen to the title track below.

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“Spin Me Ever After” by Side FX

mp3 and image of Kim Cameron courtesy of Cleo Gordon, LaFamos, Marketing & Publicity Department.

“Full Moon Rising” by Neil Halstead

British guitarist and singer, Neil Halstead, released an album today on Brushfire Records titled Palindrome Hunches. The song “Full Moon Rising” is the first single. Neil is an old soul and his newest solo record is exactly who he is – welcoming, warm, clever and kind. He likes mellow music, after all. Staunch fans of his fiercely alternative music in the early 1990s (with his teenage band Slowdive) may not enjoy his transformation, but I welcome it.

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“Full Moon Rising” by Neil Halstead

mp3 courtesy of Brushfire Records.

Image by John Isaac courtesy of MTV Hive