“Half Asleep” by School of Seven Bells

This group is currently touring the U.S. with M83, an awesome French electronic group that supported The Killers earlier this month. I missed them at Verizon Wireless Theatre in Houston. The School of Seven Bells describes their sound as ‘dream pop.’ Their album Alpinisms was released on October 28, 2008.

“You Found Me” by The Fray

Ok, it’s time for me to go mainstream. The Fray has finally released their second studio album. This self-titled sophomore came out last Tuesday January 3, 2009. The single “You Found Me” debuted two months ago on VH1 with their music video that compiles scenes from the upcoming season of Lost on ABC.

“Move You” by Anya Marina

Anya Marina hails from San Diego but was born in Ann Arbor, Michigan. She recorded a five-song debut EP called Exercises in Racketeering then the full-length, Miss Halfway, in 2005. She is coming into the light now with appearances in SPIN and Paste Magazines and because of her tour with Jason Mraz.

Post-Grammy Comments

If anyone is wondering why I took an extra day to post my post-Grammy entry it is because I needed that day to recover. Come on Mr. Portnow! We thought last year was bad. I knew this going in but I will stress it again…there was just not enough variety in the performances. I would have loved to see Death Cab for Cutie, Kings of Leon, Leona Lewis, Duffy, Jason Mraz, etc. but instead I get M.I.A. prancing around LA’s Staples Center stage on the day that she is supposed to give birth and Katy Perry wearing a Chikita banana costume. Have I done something wrong?! Did I deserve to be tortured like that!?

The U2 performance of “Get On Your Boots” off the new No Line On the Horizon album was very psychedelic. I’m sorry but at this point I was wishing it was last year and I was listening to Alicia Keys open. Remember that performance? How she sang along to the Sinatra video and then went to the end of the stage and killed the piano. Now, that opening was great. Bono, you are too big-headed for your own good. And, while we’re on the subject, why did you find it necessary during Obama’s inauguration celebration to causally sit on the Capital platform specifically constructed for the occasion? It gave off a pretentious vibe.

Congrats to Jennifer Hudson for her Best R & B Album win for the September 2008 self-titled release. We can forgive her for wearing a dress with a built in bib.

I liked the collaboration with Boyz II Men, Al Green, Keith Urban, and Justin Timberlake performing Al Green’s “Let’s Get Together.” Keith Urban just gets to be in everything because he’s a great guitar player. I’m not saying that like it’s a bad thing. I love Keith and his guitar playing. This was, by the way, the last minute filler for Rihanna, the girlfriend of the booked felon, Chris Brown. Too bad. What a wasted talent. He was great. Now Wrigley’s and everyone else will discard him and nothing about that will change if he is not convicted. You can’t have a guy with a reputation wearing the milk mustache.

I cannot do any criticizing when it comes to Coldplay, I can only make suggestions. “Lost” did not have to be a Chris Martin piano solo, buuuuut it’s okay that it was. Also, I’m not sure I liked Jay-Z stepping in either. Buuuut, I’m okay with it. Can everybody please stop making fun of the costumes? I still like them. They looked uniform, they stood out, they brightened up the colors. All good things.

On that note, I was in love with Paula Abdul’s dress. Why did everyone slam it!? Who cares if she said the dress was from Lebanese, we all know what she meant. Stop giving her such a hard time.

Carrie Underwood singing “Last Name” off of Carnival Ride. She is always amazing. Even people who never listen to pop country give her the thumbs up every time she performs. The dress with the June Carter sleeves was cute but her legs looked spray tanned. Sorry, I couldn’t help but to stare at her legs. I don’t know who has nicer legs. Admit it, you were too. Katy Perry and I weren’t the only ones.

Best Country Performance by a Duo goes to SugarLand for “Stay” off of Enjoy The Ride. Yay! I am happy.

Song of the Year goes to Coldplay for “Viva La Vida” off of Viva La Vida Or Death And All His Friends. Again. I am happy.

Kid Rock did not get three songs. Just a clarification for all of you complaining that Sir Paul McCartney deserved just as much stage time but didn’t get it. Kid rock did what is called a medley of three of his songs off of Rock and Roll Jesus. The performance was good. I’ve said this before, but I’m glad that Kid Rock turned into someone that everybody likes.

Taylor Swift and Miley Cyrus. It all goes downhill from here! Taylor Swift never performs well live. She does write her own songs and the two performed Taylor’s “Fifteen” off of Fearless. I thought Miley would carry her through but I was wrong. Guess what? The two of them are really friends, like in real life. Okay, that was me mocking Miley. Oh I’m so mean. She’s just young. For those of you wondering, she is not giving up the role of Hannah Montana to her younger sister.

Best Pop Collaboration with Vocal goes to Robert Plant and Alison Krauss for “Rich Woman” off of Raising Sand. Oh, now I get it. After seeing their nominations months prior to the Grammy’s, I JUST now realized why I was confused last year. This album came out in October of 2007. When I watched the Grammy’s last year I was shocked that they only got recognized in this same category for “Gone, Gone, Gone.” Now I know that the “Gone, Gone, Gone” single made the cut but the album just missed the deadline date and they had to wait a whole extra year before being honored in other categories. This, in my opinion, prevented a Coldplay sweep and I don’t know how I feel about that. I think I would have been okay with a Coldplay sweep. Hasn’t Alison Krauss won more Grammy’s than anyone ever? Don’t quote me on that because I am not positive. Don’t get me wrong, I love this album but part of me agrees with my morning talk show host of the BUZZ rock station in Houston. He claims that the album is just too successful and he wanted to see it tank in hopes that Robert Plant would go back on tour with the rest of Led Zeppelin.

Jennifer Hudson is such a doll. Nice performance! It’s no wonder she won. She deserves it. By the way, the dress you performed in was much better Jen.

The Jonas Brothers with Stevie Wonder, the man who has performed on more Grammy nights than anyone else. At least they did a Stevie song. “Very Superstitious.” Ya’ know, I like them. You have to admit that, as musicians, they are good. They just have the Disney Channel curse. Are they ever going to really make it or has their association with the Disney Channel stunted their progression?

Best Rock Album goes to Coldplay. I don’t have to say it again, but I will. I am happy. I like that they addressed Paul in each acceptance speech and jokingly apologized for recycling the Sgt. Pepper’s Lonely Heart’s Club Band costumes. Chris Martin, you are supposed to go off backstage. Not down the stairs and back to your seat. That was cute though.

We were told that Katy Perry was going to descend to the stage aboard some sort of phallic looking contraption for her “I Kissed A Girl” performance. We weren’t mislead. It was a giant banana. I don’t know what to say. I just know that way to much of the budget was spent on this number.

Kanye West and Estelle singing Estelle’s “American Boy” from Shine. It was just okay. I would have rather seen Kanye solo doing “Love Lockdown” off of 808s & Heartbreak. Estelle, what are you wearing? No, it’s not any better than the dress you showed up in. Just to let you know, we have not found life on Mars. So, if that is where you were planning to go in that outfit I would advise you to think again. And Kanye, I can’t believe that you have a fro.

Best new artist goes to Adele. I know everyone else is happy but I was pulling for Duffy! Furthermore, I don’t think Adele should have won for best Female Pop Vocal either. I know, I know. You can cuss at me and call me names if you want to. I just think that her voice, while I like it, has become a common sound coming from London recently. Duffy’s is unique. And nobody belted it out quite like Sarah Bareilles (except Carrie Underwood of course). That is why I think Sarah should have won Female Pop Vocal for “Love Song” off of her Little Voice album. Whew, I’m prepared for my lashing.

The only reason why I didn’t fall asleep during Kenny Chesney’s performance is because I’ve grown to love the ballad he chose, “Better as a Memory,” off his album, Just Who I Am: Poets & Pirates. Or, it was the scintillating conversation I was having with my sister that kept me awake. She had heard a rumor that Kenny started balding at a young age, thus, the hat and the shaved head. I said that he is a cowboy and that is, of course, why he wears the hat. And he shaves his head because he looks sexy that way.

Record of the Year goes to Robert Plant and Alison Krauss for “Please Read the Letter.” Again, I’m not surprised but everyone else is.

M.I.A, Kanye, T.I, Lil’ Wayne, and Jay-Z performing “Swagga Like Us” from Jay-Z’s album, The Blueprint. Oh, dear God! Can you please rewind my life and warn me to turn the television off for the three to four excruciating minutes that this bunch paraded the stage? M.I.A. why must you do this to me just when I was starting to like you?

Thanks Paul for performing the old Beatles song, “Saw Her Standing There.” Your new stuff is great too but let’s face it, you alone can’t top the Fab Four. Now, where is Dave Ghrol? I thought he was performing with you. Oh there he is, back there playing the drums. He’s taking us back to his Nirvana days as we all know he doesn’t play drums for the Foo Fighters.

Male Pop Vocal goes to John Meyer for “Say” from The Bucket List soundtrack. Okay. I can’t say that I’m disappointed even though I was pulling for Jason Mraz. I love John Meyer and his was the best pre-show interview by far. He always has intelligent things to say.

I already knew that SugarLand performing “Stay” wouldn’t be a disappointment. I hated the song when it first came out because I thought it was boring. Now I love it and I love the way she sings it and all the emotion she puts into it every time. Well done Jennifer Nettles!

Adele performing her title track, “Chasing Pavements.” Yeah, I like it but it’s kind of dull. I don’t know why I’m not on the same page as the rest of you. Sorry.

Thank God Radiohead broke the boredom with “15 Step” off of In Rainbows. So, Gwyneth Paltrow was there to watch her hubby, Chris Martin, and to introduce Radiohead. That was the University of Southern California marching band performing with Radiohead. What a bunch of lucky people they are.

T.I. and Justin Timberlake performing “Dead and Gone” from T.I’s Paper Trail album. Eh. I’m not a T.I. fan. It got better when Justin took charge.

NE-YO, Jaimee Foxx, “Duke” Fakir (of the Four Tops), and Smokey Robinson performing some Motown Four Tops classics including “Standing in the Shadows of Love,” “Reach Out,” and “Sugar Pie Honey Bunch.” This was good. Too bad Duke can’t sing anymore. Smokey’s still got it though. We lost a Four Top this past year (Levi Stubbs), thus the homage performance. This leaves “Duke” as the last remaining founding Four Top.

Neil Diamond performing “Sweet Caroline.” It seems like he was probably a good performer back in the day. He’s got a lot of energy even now. I just can’t stand the song though. Not that it’s a bad song, I’ve just heard enough of it. Why must they play it every night at every bar? I thought it was just an MSU thing until I moved to Texas and heard it at the bars here too. Enough! I’m sick of it.

B.B King, John Meyer, and Keith Urban performing “Hand jive.” It was a great guitar jam.

Lil’ Wayne and Robin Thicke performing “Tie My Hands.” I am in rap overload. Please, this would have been a good time for a Jason Mraz performance. I have a trivia fact for you. Lil’ Wayne (Dwayne Carter) was enrolled at the University of Houston in 2005 for a year majoring in Political Science. If I had only started working for the university a few years earlier! Honestly, I couldn’t care less that I may have missed my chance for a run in with Lil’ Wayne.

Best Rap Album goes to Lil’ Wayne for Tha Carter III. Oh my gosh, I am so surprised. What an upset. NOT!

Robert Plant and Alison Krauss close the night with “Rich Woman” and “Gone, Gone, Gone.” They end the night because they win the big one folks!

Album of the Year goes to Robert Plant and Alison Krauss. That’s a wrap. See you next year!

Now I’m looking forward to the BRIT awards next Wednesday February 18, 2009. I rated them better than the Grammy’s last year so we’ll see if the trend continues. If you get BBC make sure to tune in.

Grammy Weekend!

Who’s excited for the Grammy’s? I know you are. Even all you snobs out there who ridicule the Grammy’s as a popularity contest and another excuse for a celebrity fashion show. I know because I used to be a snob and even then I couldn’t keep myself from watching the Grammy’s. Anyway, I thought I’d bring you back to the 50th Grammy night with one from last years winning rock album of the year, Echoes, Patience, Silence, and Grace by the Foo Fighters.

This was the one I was pulling for last year. Now let’s see if I get lucky this year with my hopes set on Coldplay.

Viva La Vida

By the way, all you Bloggers be careful. Sounds like I upgraded to WordPress just in time. Read this article from the LAWeekly.

“Ride” by Martina McBride

I have to give a shout out to this renowned country diva for the new single from her tenth studio album, Shine, scheduled to be released on March 24, 2009. I have to say that Martina’s was the first female voice I ever fell in love with. It wasn’t until 2004, however, when I burried myself in popular pop-country music for the first time and held her at high regard for her single, “How Far.” I can’t believe it’s been 5 1/2 years since then! By the way, how great does she look for 42? She looks like someone still in her prime, which is a plus side to country music as a whole and not just something to be said about her. Unlike the rock or indie world, country stars don’t don’t have to be 17 to debut and, as 30 or 40-somethings, they are not out of the running trailing behind fresh developments. Kid Rock seems to be in his prime, wouldn’t you agree. You see. Some stars convert to country music before they die out.

“The Rack’s Song” by The Decemberists

The Decemberists

The Hazards Of Love is the new album by The Decemberists to be released on March 24, 2009. On March 18th, prior to the album release, I will be at the SXSW NPR showcase in Austin, Texas to hear the debut live. In the meantime, we have a sneak preview of “The Rake’s Song.” The song is appealing right from the get go but the message is simply terrifying. I was going to explain it but you may as well just listen below.

[audio:The Rake’s Song.mp3]

“The Rack’s Song” by The Decemberists
The Decemberists - The Hazards of Love - The Rake's Song

Brett Dennen at Warehouse Live

Last Thursday was another night spent at Warehouse Live. This night, however, began with an unfamiliar and unpredicted moment of line-waiting. Not to mention, I had just used the last minute or two bragging to friends and telling them not to worry because Warehouse never has a line. I hate lines. The line is what keeps me out of trendy midtown bars and clubs. That is, until the wee morning hours when the line begins to dwindle. I was relieved when reaching my ticket counter destination didn’t take as long as I anticipated. So, what is it about Brett Dennen that draws a crowd? Well, I was about to find out.

Once inside, I had to slither my way through the multitude of attendees to get close enough to take a few pictures with my inadequate camera. I know what you’re thinking, but haven’t you ever heard the saying ‘if you can’t beat ‘em, join ‘em’? It’s really a terrible excuse but in this case I use it to justify my impolite behavior. I can either complain about the people who squeeze their way to the stage or I can do it right along with them. At least I had enough courtesy not to plant myself in front of a short person. Some people do that! You know who you are.

Anyway, the wavy-haired starlet, Erin McCarley, had already begun her set prior to my tardy arrival. My guess is that she opened with her single, “Pony (It’s Ok)” because I didn’t hear it and I don’t think she would leave it out. She wore skin tight leggings and a long cardigan. The first full song I heard was “Lovesick Mistake.” She put down her guitar and started it slow. Eventually the song picks up but is all-in-all a sweet, soft number. The brooding message in this song is that she’s moving to fast and has thrown away what she should have held on to. Consequently, she missed her chance at love.

She did a cover of “Tom’s Diner” originally by Suzanna Vega. Vega’s version is written as an a cappella which fueled some creativity in McCarley and her band, resulting in a dressed up adaptation. McCarley initiated it with the recognizable ad-libbed “Doo doo doo doo, doo da-doo doo” but at the start of the hook, a beat-boxing keyboard player took me by surprise. The drums entered in at the second verse. She introduced the song by saying, “I didn’t write this…kinda wish I did.”

Her drummer and keyboard player were both very attractive yet ordinary looking. With their clean cut haircuts and classy clothing they did not look like your typical musician. She played her debut title track, “Love, Save the Empty.” As I mentioned in a previous post, this is the track you hear on the trailer to the soon to be released film, He’s Just Not That into You. By the way, this movie, in my opinion, has just as distinguished an array of cast members as the 2004 film Crash.

1. Pitter-Pat
2. Lovesick Mistake
3. Tom’s Diner (Suzanna Vega cover)
4. Hello/ Goodbye
5. Love, Save the Empty
6. Gotta Figure This Out

As the slow display of between performance pack-up and set-up took place, I couldn’t help but overhear a conversation by some kids about the recent concerts they’d been to. They brought up Iron and Wine and I envied them for their opportunity to see Samuel Beam, the man behind the recording name. I have not yet had the pleasure.

Ron Johnson, the Rastafarian bass player emerged first to scatter some incense around the stage and then lit them to set the mood. It went well with the whole art-deco rug and Ethiopian color themed display emitted from the stage. I’ve never noticed the rugs before. Are they always there? When Brett appeared from behind the curtain I was shocked by his size. He played the whole show in bare feet (I think as a tribute to his vidoe for “Make You Crazy” which you will see at the bottom of this post) and he still looked 6 ½ feet tall.

They played one of my favorites right off the bat. It’s a song called “Wrong About Me.” The noun ‘turncoat’ was not part of my vocabulary until I researched the lyrics of this song. He speaks of leaving the only life he knows behind in order to establish himself, and when he talks about selling out he uses the term ‘turncoat,’ which means traitor. Further lyrics tell us that the tradeoff to being called a turncoat is not working for free. So, basically, he couldn’t care less if we scold him for selling out. He’ll take the money along with the name-calling. Personally, I think it’s silly when fans throw a hissy about artists selling out. As long as the group or individual actually has talent why does it matter? It does mean more expensive ticket prices for us but, rather than objecting, we should be happy for their success.

When they performed “Closer to You” I was trying to get a picture of Ron but he hardly ever faces the crowd when he plays. The guy sure wasn’t camera shy though. Between songs we had several opportunities to capture his intentional poses. A girl in front of me was taking videos of Brett and Ron protested, “…not enough pictures of me, come on, you all have your cameras!” I’ve been in Texas long enough that hearing someone say, “you all” instead of “ya’ll” sounds funny to me.

The drummer’s name is Randy Schwartz. The cymbals on his drum set had been filed down to include a few crescent moon-shaped indentations. I was waiting for the significance of the malformed instruments but, from what I could tell, they weren’t used for anything out of the ordinary. For all I know it could be the result of a rowdy spark of vandalism or damage caused from transporting equipment while on the road.

A lot of the lead guitar spotlight moments were pretty bluesy and Ryan, the guitarist, finally showed off some of his capability in the song, “When You Feel It.” During this song John, the keyboard player, stood and offered a little electric/acoustic guitar.

When they played “She’s Mine” the response it got made it seem like a crowd pleaser, which makes sense as it was a single from his second album, So Much More. Brett’s articulations of his words sometimes make me think that he has overcome a childhood lisp which has the power to sneak out occasionally, and did on some annunciations during this song. After “She’s Mine” Ron looked at me and at my red hair and said, “Are you related to Brett?” Yes, Brett and I are both part of the rare redhead clan and that makes us kin.

During “Ain’t No Reason” I was trying to decipher where the airy whistle sound was coming from. I think John may have been playing some kind of wood, maybe similar to a recorder. Remember playing the recorder in elementary school? We didn’t even have wood. We had the cheap plastic kind that the school could afford to buy wholesale. And what was our final exam? You guessed it… “Mary Had a Little Lamb.”

John also played a maraca during “Make You Crazy” and they ended that song with a jam session.

The last song before the encore was “Blessed” and, with the keyboard solo, the in-unison crowd clap began. Brett hadn’t said a word to the crowd until the end of the set when he said, “I feel like I haven’t said anything to ya’ all night, how are ya’?” They did four encore songs and the first two were solo of Brett. The second solo, “When She’s Gone” is recorded with Missy Higgins adding harmony. She was on tour with him early in 2008 but is now doing a tour with Justin Nozuka and Lenka and is scheduled to hit the Houston House of Blues on February 19, 2009. Missy is also featured on Brett’s “Follow Your Heart.”

The full band came back for a song called “Heaven.” His most recent album is called Hope for the Hopeless. At first, I didn’t know where they came up with the title because it’s not named after one of the songs on the album. With that being said, it can be found in “Heaven” as part of the phrase, ‘Is there a home for the homeless/ Is there hope for the hopeless?’

It was during “Heaven” that I smelled the reefer. Really?! Indoors?! I’m used to it at the Woo Pav (The Woodlands Pavilion) amphitheatre where concerts are held outside, but not in a confined indoor sector of Warehouse Live. As if we needed more cliché, Ben Harper’s “Walk Away” played as we shuffled out the doors. If they had played Harper’s “Burn One Down” it would have been too much for me to handle.

1. Darlin’ Do Not Fear
2. Wrong About Me
3. Closer To You
4. Follow Your Heart
5. When You Feel It
6. Who Do You Think You Are?
7. She’s Mine
8. Desert Sunrise
9. Ain’t No Reason
10. Make You Crazy
11. Blessed

Encore

1. Nothin’ Lasts Forever (BD solo)
2. When She’s Gone (BD solo)
3. Heaven
4. World Keeps Turning

This is the official video for “Make You Crazy” off the October 28, 2008 released album Hope for the Hopeless. That’s Mandy Moore trying on shoes.